Make sure you make use of the minor pentatonic scale and develop your ideas. Don't hesitate to experiment with new areas of the fretboard as this is the only way you will get familiar with positions you avoid.
Pay attention to the rhythm feel of this backing track as you develop new ideas using the A minor scale. This Backing track is a great way to tie together ideas using the minor blues scale with its relative Aeolian mode.
This slow Country ballad backing track is a great way to come up with new melodic ideas using the minor scale. Experiment with different areas of the fretboard as you develop your solo. Remember that playing fast is not always the answer This backing track in G minor has a beautiful Country feel that should inspire you new musical ideas. Anticipate the sound of every note you play and force yourself to explore new areas of the fretboard you might not be comfortable with yet.
This old-school backing track is ideal to work on blending the minor pentatonic scale with the full seven note Aeolian mode. As always, force yourself to explore new areas of the fretboard. Don't be afraid of playing the wrong notes as mistakes are the best way to improve.
This fun backing track has an upbeat Country feel to it. Make sure you use a combination of the minor blues scale with its relative Aeolian mode. Remember to develop your ideas as you develop your musical story. We offer over backing tracks available with full tab, track information, and downloadable MP3! Get started with JamPlay today. Some soft, easy rock, along with some hard hitting Drop-D nastiness! These rock tracks are perfect for the aspiring lead player to refine their technique and improve their improv skills.
This backing track in D minor is the perfect musical bed to develop new licks combining the full seven note minor scale with its relative minor pentatonic. Don't hesitate to throw a few blues licks and your lead. Have fun! This blues-rock backing track is particularly useful when developing new minor pentatonic licks.
Anticipate the sound of each note to play and make sure you develop your ideas. It is much better to have fewer ideas developed rather than playing a bunch of different ideas all over the fretboard. This backing track in E minor will force you to play with focus and confidence. Experiments blending the full seven note minor scale with its relative minor pentatonic. Remember to use bands as this backing track really calls for blues influenced licks. Average: 3 4 votes. Blues Ballad Backing Track Am.
Scales suggestion: G pentatonic minor scale , G pentatonic major scale. Guitar Now Online. Scales suggestion: A Bb blues scale. Modes suggestion: E dorian mode.
Scales suggestion: E blues scale , E minor scale , E pentatonic minor scale. Scales suggestion: E pentatonic minor scale , E blues scale , E pentatonic major scale. Modes suggestion: E mixolydian mode , E dorian mode.
Elevated Jam Tracks. Scales suggestion: B minor scale , B pentatonic minor scale. Average: 4 5 votes. Scales suggestion: G Ab minor scale , G Ab pentatonic minor scale. Scales suggestion: E pentatonic minor scale. Modes suggestion: E aeolian mode. Scales suggestion: A minor scale , A harmonic minor scale , A pentatonic minor scale , A blues scale.
Modes suggestion: A dorian mode. Scales suggestion: B pentatonic minor scale. Modes suggestion: B aeolian mode. SM Backing Tracks. Sort backing tracks by style : guitar backing tracks blues, rock, Playing guitar with backing tracks These jam tracks consist mostly of rhythm guitar, bass, drums.
Take an average Rock musician for example: he is just enough happy to bring the sound of his Les Paul to 11 and whip his hair to the sound of a valve cream torrent who runs upon an ocean of beer and armpit stench. Concerning the Blues, we all know that the sound itself is not enough to satisfy us, grandchildren of the Blues! To play our axes with simplicity and taste we need sound. The shittiest the sound, the more complicated will be our solo because we instinctively want to compensate the deficit of coolness with monumental chops.
But real Blues playing is none of that. The Blues is the capacity of holding one note for the whole twelve bar chorus and make the mere mortals who are listening wanna howl at the moon. The Blues is the ability of squeezing a major third on the fourth degree and make it give goose bumps of pleasure even to a conservatory book worm.
All of that is only possible if the band behind your squeaks and screeches has got that magic. That's why we decided to put all our decent knowledge and make an effort to be the band that will accompany you on your solos.
We selected twelve grooves that we would dream to play along to and we have recorded them whenever and however we could throughout the year and
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