Weight gsm. Epson Cold Press Bright - white art paper with light texture. High D-max Excellent blacks. Epson Hot Press Natural or Bright - natural white or bright white smooth art paper. According to Wilhelm Imaging Research, print longevity ratings fading resistance of to years are achieved. Giclee prints can be made on demand with accurate and consistent color rendering every time.
High-Resolution Art Scanning at ppi bit. Includes artwork scanning, color correction, tiff and jpg files on a DVD, or files copied onto your supplied flash drive. Original artwork size 1 artwork 2 or more artworks ea.
We offer several ways to make it easy for you make your mat choice:. We offer several ways to make it easy for you to make your glass or acrylic choice:.
We offer several ways to make it easy for you to find frames:. Use our easy interactive design tool to select, crop, enlarge, frame, and visualize your images presented in your space.
Learn More. Images come to life in different ways depending on the media on which they are printed. Enjoy your images with amazing detail and color. From 2 to over a photos, we can artistically integrate your images into a stunning collage. Crop proportionally for the size you need. If your image isn't totally rectangle - no problem - use our Perspective Crop to make it so. For older images,remove dust and discolorations. Correct flaws digitally so the resulting prints are the best they can be.
We let you know the overall print quality based on the resolution of your image and the size you have chosen - prevent "Pixelation". We use technology and experienced staff to get quality color rendition. Then again, given the artistic approaches possible, maybe you will. While at the art supply store try to get samples of some of the other watercolor papers they have in stock.
Sometimes these sheets are only available in larger sizes that will be too large for the typical desktop printer. These large sheets can always be trimmed down to fit whatever size paper your printer can handle and many times the store will be happy to do the trimming for you.
The final watercolor image was printed on an Epson Stylus Photo ink jet printer on Arches watercolor paper cut to letter size. When running your initial test prints you should be aware that the printer driver decides how much ink to spray based on the kind of paper that you have selected. Since art and watercolor paper are not the normal choices, you're going to have to experiment with the available choices to find one that works. You may even find that none of them will work with the porous watercolor paper you have selected.
Don't panic. If that's so, it's time to go deeper inside your driver and look for sliders that allow you to control the amount of ink or saturation that you can apply. When making your first test prints, slice up the paper into 4x6" or so sized bits.
It will take less time to make small test prints than large ones and will save time and money while you experiment. Don't reduce the size of your test image to 4x6". Instead, carve out a 4x6 section of your original photograph and just print that with your test strips.
This way, you'll be able to better evaluate the grain structure of the paper when used with your photographs. As with all digital experiments, keep detailed records. Most printer drivers allow you to create custom setting so once you find a combination that you like, you can save it and make the effects repeatable. If you want to do more than print conventional digital images on artist's paper, take a look at the next section showing how to create a "digital watercolor.
When creating a digital image for printing on watercolor paper you may want to first give it a watercolor "look. Step One. Open any image in Adobe Photoshop. In this case I used a FlashPix file that was created from an image of Denver's lower downtown area that was originally shot on Kodak color negative film. This file was opened from a FlashPix CD, but any other source will work equally well including Photo CD or an image acquired from a digital camera or scanner.
Step Two. Before I apply any filter or plug-in to a digital image, I like to clean up the file so it looks the best that it can. I usually start with Photoshop's cropping tool to remove any dark or rough edges that might have been created during the original scan. In this case, there was a black edge near the top of the frame that I wanted to remove. Next, I used Extensis Intellihance Pro 3. By analyzing each digital image individually, Intellihance Pro determines the optimal setting for enhancing and color correcting it.
The plug-in consolidates all of your imaging options into a single large dialog box that includes preset enhancement settings for images produced by a scanner, Photo CD, digital camera or other sources. Step Three. Next I applied Photo-shop's Watercolor filter, which is found in the Artistic submenu of the Filters menu. Take a few minutes to experiment with manipulating the three sliders in the plug-in's dialog box that are used to add a watercolor look to your photograph.
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