Slash guitar pedal setup

However, we're confident this represents the bulk of Slash's pedals and covers the boxes he most commonly uses.

If you have questions about Slash's pedalboard, or about something specific we've mentioned in this piece, feel free to leave a note in the comments section below. You can shoot him an email to get in touch. Comment Policy: You're down to leave a comment? That's awesome. Please avoid any spammy keywords or a domain as your name, otherwise your comment will be deleted. Let's stay on topic, keep questions relevant and have a meaningful conversation. All the best. Don't subscribe All Replies to my comments Notify me of followup comments via e-mail.

You can also subscribe without commenting. For live shows, Slash's pedals are managed off-stage by Slash's guitar techs. Slash handles the wah pedal himself. Slash's Pedalboard from Pedals Used on Particular Songs.

What about a distortion pedal? Slash's Pedalboard from Coming out of the Guns 'n Roses and Velvet Revolver era, we have a pretty thorough documentation of Slash's guitar rig up to that point, including all the pedals he used at that time. Here's a diagram of the pedalboard:. I did notice that in every photo and interview, the right footswitch was never turned on, so it seems Slash only uses this pedal for the boost function. Slash says in interviews that this is mainly used during solos or sections when he needs a little bit extra.

A lot of live guitarists use this pedal to remove noise from their tone and help prevent feedback issues. If you use a high-gain tone and you want to better deal with noise, learn about Noise Suppressors and Noise Gates in my Guitar Effects Course. The course demonstrates how these two different types of pedals can be used and which one may be right for you.

In other words, he only uses this pedal as a tool to deal with a specific issue with his live rig. This pedal is used to give the clean guitar parts in Paradise City the iconic color and shimmer you would expect to hear in the song. In the past, Slash used an MXR Stereo chorus pedal, which is another very good quality chorus pedal to consider. Check out some great chorus pedals in this Ultimate Guide to Chorus.

Remember that this pedal is placed in front of the guitar amp, which produces a pronounced delay sound. Slash also uses other delay pedals in his effects loop, so he can get two very different delay sounds to suit different songs.

The main point I noticed was that the fuzz knob is turned down quite low, so this pedal seems to be more used more for the octave effects. While it is a signature model, he only rarely uses it. You would think one would be enough. In one interview, his guitar tech said that he mainly uses it for slapback effects learn about slapback delay in this lesson.

This changes the sound of the effect and the delay has a less pronounced sound compared to his DD-3 in front of his amp. If your guitar amp has an effects loop, experiment with placing your delay pedal in the effects loop to learn how it changes the effect. You may prefer to have your delay pedal in front of your amp, or in the effects loop.

Or you may do what Slash does and have different delay pedals in either position for different types of delay effects. Find out more about effects loops in my Guide to the 4-Cable Method. When performing live, Slash uses a rack-based Wah with controller pedals placed on the stage. The Cry Baby SC95 above left is the more basic wah pedal tuned to a lower voicing than typical wah pedals. The Cry Baby SW95 above right adds in a distortion circuit to the wah and you can see two knobs on the side to control for volume and gain.

Learn more about wah pedals and other alternatives in my Ultimate Guide to Wah Pedals. If you only have a few pedals, this is overkill and you can get away with daisy chaining your pedals to one power supply as explained here. In this brief review, we will take a look at Slash's pedalboard and the guitar effects he's been using over the years.

First off, Slash keeps himself in tune using the Boss TU-3 pedal. This one is a classic, used by many guitarists worldwide, both amateurs and professionals. Being an old school kind of guy, Slash will have some of those classic pedals that have been present in the market for decades.

A good example is the MXR Distortion Plus, which is a rather simple yet really effective dirtbox with only two controls. Although this little phaser has only the speed parameter control on it, it's been praised for its unique tone. This one is also adored by other guitar legends, most notably Eddie Van Halen. It's also known that Slash is a fan of Eddie Van Halen, which can also be seen when you take a look at his pedalboard.

There are many ways to shape one's tone, and an EQ is an important part of a professional tier pedalboard. Both of these are great pedals, although the M is a band EQ, giving some more options over tone control. However, there is one extremely important effect that you'll often see and hear him use — the wah-wah. This one is unlike any other wah, with completely customizable parameters, allowing the player to tweak the different frequency ranges. And it's not exactly cheap. Both of these settings do essentially the same thing — they determine the overall volume of the sound.

The Output Master dial represents the overall volume output of the amp, with Slash generally leaving his at 6. The Jubilee is a seriously loud amp, after all! To quickly switch between soft clean tones and overdriven tones, guitarists often rely on effect pedals. This is an excellent solution, but an even better setup would be to have a dedicated amp rig for each sound. In addition to his standard Marshall Jubilee amp setup, the guitarist performs with an additional amp stack consisting of two separate Jubilee heads and a cab.

The clean stack has no gain, less bass, and a little extra treble and presence, a softer and cleaner alternative to his classic dirty tone. I have always wondered why guitarists have so many amps on stage, but this would explain why!

Choosing an excellent guitar amp and customizing its settings will do wonders for your guitar tone. There are tons that he uses for different songs and different styles. When I first started using effects pedals, I thought they existed solely to make explicit and crazy sound effects such as feedback delays, flangers, and wah-wah. However, as I started experimenting with pedals more, I realized that many pedals are to be used sparingly for subtle tone enhancements.

For example, Slash uses two gain-based effects in combination with the in-built amp gain to reach his gritty signature tone. One of these effects is a general overdrive to add additional gritty peaks to the tone. A separate boost effect is used to boost the signal output without clipping it any further. This pedal provides a slider for each frequency band to facilitate fine-tuned equalization.